Thursday, October 20, 2016

Suhas Roy and his mystical compositions

Artist Suhas Roy who passed away in Kolkatta earlier this month, at the age of 80, was known in the last few years primarily for his Radha series. Though Radha Rani has been worshipped as a goddess, a Devi, the most powerful association in our minds is of Radha as an embodiment of pure love and devotion to Shri Krishna.

Radha, Mixed media, 10 by 12 in.

The word Radha is said to have come from Aradha (worship or homage) and Aradhana (paying homage). The love of Radha for Krishna is eternal, spontaneous, and like Bhakti (or devotion). Suhas Roy's paintings of Radha try to capture this devotion, longing and Bhakti, and bring a mix of youth, innocence and a dream like quality, in the figures.

Dry pastel, 48 by 36 cm.

Suhas Roy studied at the Indian College of Arts and Draughtsmanship, Kolkatta, and also at the Ecole Superior des Beaux Arts, Paris. He had been the Head of Department of Painting, at Kala Bhavan, Shantiniketan, till he retired.

Christ - 1, Conte on board, 20 by 30 in.

Suhas Roy travelled extensively in Europe, US and Japan, and was hugely impressed by the Great Masters, Michelangelo, Leonardo da Vinci and Raphael. Particularly the Pieta influenced Suhas Roy so much, that for several years, he sketched and painted his own versions of The Lamentation.

What is not known widely is that one of his paintings from his series at the time, "Through the Gospel", forms a part of the collection of The Vatican. Suhas Roy published a book of his paintings created during that period of personal journey called: "A Solitary Quest".

Christ, Oil on canvas, 56 by 41 cm.

Suhas Roy was born in Dhaka, and like many artists of his generation hit by partition of India, the loss stayed with him all his life. Several of his early compositions in water colours are inspired by the Bangladesh countryside.

A water colour

Suhas Roy will be remembered and missed for his mystical imagery, the wide range of textures and materials used, and for the simplicity of his compositions.

No comments:

Post a Comment