Thursday, October 23, 2014

Flotsam and Jetsam

I have been busy completing paintings for my upcoming exhibition at The Lalit Kala Akademi. Hence the lull in blog entries.
All the compositions are inspired by the patterns of flowing water.


Water itself forms fascinating patterns, whether we are watching waves on a sea shore, the running water in a creek, or like a little child, stirring the water in a mud-hole with a stick.

Along with the water itself, little objects that float around in the water all form their own complex patterns, and all of them suggest a story.

This painting is inspired by all the flotsam and jetsam you see in the water twisting and turning around, and floating away swiftly, or getting untangled sometimes. They are made up of a medley of objects, and over time, their size and appearance goes on changing. Sometimes they add more objects, and sometimes they shed some of it..

This painting is a 24" by 30" acrylic + oil on canvas.

All of you who are in Delhi/ NCR, do come for my exhibition at Gallery 4, Lalit Kala Akademi, Rabindra Bhavan, Feroz Shah Road, New Delhi- 110001, from 26th October to 1st November, open all days 11 am. to 7 pm. entry free. (This is at the Mandi House round about, so you could catch the metro to Mandi House station).





Monday, September 15, 2014

The great pumpkin

The pumpkins that Markandey Jajware from Jharkhand, India uses are not very large. But he has figured out a way to dry them out, carve them, and give them a fine finish. The themes are from his world around him: men, women, gods and goddesses, characters from the great epics Ramayana and Mahabharata, animals and birds.








He would not share the exact process he employs, but he says he dries the pumpkins for almost two years, in the open, back in his village at Deoghar. He keeps a studio office in Delhi, for completing the final finish, and of course as a store for his works.






With both the materials as well as the process being low cost, he was able to keep prices low. Also, the sculptures being made out of pumpkin, were very light. All this, Mr. Jajware explained, helped him get a broad base of clients, which included homes and schools, and not only collectors or museums.




I chanced upon his exhibition during a visit to the Lalit Kala Akademi recently. What I liked most were the male and female figures. As you can see, they all had a great "attitude"!





Tuesday, August 12, 2014

The dance of Shiva

The Nataraja, or dancing form of Shiva is full of mystery, strength and grace. A young artist Himanshu Rai, makes various modern day variations in fiberglass of the dancing form of Shiva, or just small installations by using a few features from the Nataraja.

I saw his works at an exhibition at the Lalit Kala Akademi and found him hugely talented.
What was a distinguishing feature in Himanshu's works was the fluidity, strength and beauty that we associate with the dance, or Nritya of Nataraja.


Himanshu also works a lot on the illustration and animation fronts. One could see the influences in several of his sculptures.



What I also found very interesting were the modern day avatars of Devis and Devatas with all sorts of paraphernalia. They were life size figures and looked straight out of a sci-fi movie!




Monday, August 4, 2014

The story of Madurai

I was familiar with photographs of the facade of the famous Meenakshi temple of Madurai, or photographs of the Madurai skyline showing Meenakshi temple. But for pictures that tell a story about Madurai, you should see the work of Manohar Devadoss:



I chanced upon his work because of an article about him in The Hindu. But I got impressed more and more about the man as I read about his life. Struck by a "retinis pigmentosa",  a degenerative eye disease as a teenager, and hardly able to see now, Manohar

Devadoss has continued his work aided by special tools and strong halogen lights.
His wife Mahema initiated him into oil painting in the 1960's, and supported him in all his writing and drawing, but a cruel accident when the family was driving from Chennai to Madurai, paralyzed her from neck downwards. This was in 1972.

Not one give up, Manohar has produced hundreds of drawings, and also written several books. His wife Mahema continued to support as much as she could in both writing and drawing activities for more than three decades, with all her disabilities.

Manohar lost his wife about six years back, but continues to write and draw as much as he can. The Hindu article came about after the recent publication of his latest work "From an artist's perspective". He has described in the book his understanding of the concept of perspective in art.






As I browsed through his work, I got glimpses of life in the the city of Madurai which is a backdrop for a lot of his work. The sketches reproduced here are to record some of this admiration for an exceptional artist and his work.







http://www.thehindu.com/books/literary-review/sketch-and-the-city/article6274889.ece

http://www.maduraimessenger.org/printed-version/2012/december/in-conversation/

Saturday, July 26, 2014

Kicking up a storm

"Leaf storm" won for me my second Art Slant award, as the 4th 2014 Showcase winner!


Monday, July 14, 2014

Artists on the street, Delhi

After the scenes of art works creating interesting spaces in old market areas like Shankar Market, visitors to Connaught Place had another interesting brush with the arts and artists.

A flash mob of a different kind, organized by "Cause Art" and "Artist at Work Productions", emerged on the streets of Connaught Place on the 6th of July. About 25 artists participated in the event along with their art works.


Pics from: http://www.theworldreporter.com/2014/07/artcause-art-part-everyday-life.html


Visitors and bystanders, shoppers and shopkeepers, who had assumed this was going to be another of the street protests they were used to seeing, were amazed and stunned to find not placards and posters, but colorful paintings being brought out and held by the team of artists.

Soon the crowds were going around looking at the compositions, asking questions of the artists, genuinely puzzled, curious and quite delighted at this unexpected and unfamiliar experience.


  The event helped both parties. Crowds who had never had the time or opportunity to step inside and explore galleries got a taste of the variety of mediums, compositions and themes being used by young contemporary artists.

The artists themselves got a taste of the different and demanding crowd.They answered all sorts of questions on why they painted, what they were trying to say through their work, and what were the challenges of execution they faced in their work.


The organizers were quite happy with the results, and fortunately for Delhi-ites, more such public events will follow.

Street Art, Delhi

Shankar Market on Connaught Palce's outer circle was once a chosen destination for cool fabrics ad dress materials. Over time, it has become a rather forlorn, and paan-stained, ill-frequented place. The move this year to restore some of the footfalls has been rather an innovative one.



The New Delhi Municipal Council (NDMC) has joined hands with the Delhi Street Art (DSA) movement and commissioned a few artists to refurbish the walls of Shankar Market with their imagination.


 If the Delhi Street Art's work in Hauz Khas is anything to go by, we should soon have some interesting walls in Shankar Market as well.

In fact, there are a few other such old favorite haunts in line for the beautification drive, and the next one to get a facelift will apparently be Gole Market.

http://www.alinavergnano.eu/WALLS-II-St-art-Delhi-2014